GoPro Mission 1 & Mission 1 Pro Review: The Most Ambitious Cameras GoPro Has Ever Built

GoPro’s boldest cameras ever pack a 1-inch sensor, 8K60fps video, and 32-bit float audio into a rugged, waterproof action camera body – here’s everything you need to know

Let’s be honest about something. For the past few years, GoPro has been playing defense. The action camera market it created and dominated for over a decade started to slip away – DJI and Insta360 came in with sharper optics, smarter software, and a relentless release cadence that kept GoPro scrambling to keep up with the Hero series. Meanwhile, smartphones kept eating the casual shooter market whole. GoPro needed a reset, not just another refresh. And with the GoPro Mission 1 and Mission 1 Pro, that reset has finally arrived.

Launched in May 2026 and shipping to customers from May 28, the GoPro Mission 1 series represents GoPro’s most serious, most ambitious, and frankly most exciting product launch in years. These aren’t tweaked Hero cameras with new names – they’re an entirely new product tier, designed from the ground up as compact cinematic cameras for creators who want professional-grade image quality in a body that can still be strapped to a helmet, clipped to a backpack, or plunged underwater. This is the GoPro that serious filmmakers and content creators have been asking the company to build for the better part of a decade.

This full review covers both models in depth – the GoPro Mission 1 ($599.99 MSRP / $499.99 for GoPro subscribers) and the GoPro Mission 1 Pro ($699.99 MSRP / $599.99 for GoPro subscribers) – including every spec, every key feature, every real-world consideration, and exactly which model you should buy depending on your needs.

What Is the GoPro Mission 1 Series?

Before we get into specs and performance, it’s important to understand where the Mission 1 and Mission 1 Pro sit in GoPro’s broader camera lineup. These cameras are not replacements for the Hero series. GoPro has been very deliberate in communicating this – the Hero line continues as the go-to option for action sports and pure POV shooting. The GoPro Mission 1 series is a separate, higher tier of device, positioned as what GoPro calls a “compact cinematic camera system.”

In practical terms, that means the Mission 1 cameras are built around a much larger sensor than any previous GoPro, run on an entirely new processor purpose-built for high-resolution video, and include features – like 10-bit log color recording, 32-bit float audio, and Hybrid Log Gamma HDR – that you’d typically find on dedicated professional cinema cameras costing many times more.

They are the world’s smallest, lightest, and most rugged professional-grade cinematic cameras, made for filmmakers, creators and aspiring enthusiasts, while Hero Black cameras are optimized for action sports and POV capture. That distinction is the entire conceptual foundation of this launch.

There are technically three models in the Mission 1 series at launch: the base Mission 1, the flagship Mission 1 Pro, and the upcoming Mission 1 Pro ILS – a version with a Micro Four Thirds interchangeable lens mount that replaces the built-in fixed lens, arriving in September 2026. This review focuses on the two currently available fixed-lens models.

The Sensor That Changes Everything: 1-Inch, 50MP, Quad Bayer

Every interesting thing about the GoPro Mission 1 and Mission 1 Pro starts here – with the new 1-inch sensor. It’s the largest sensor GoPro has ever put into any camera, full stop, and it’s a genuine leap over the 1/1.9-inch sensor in the Hero 13 Black, which it roughly doubles in surface area. More surface area means more light collected per pixel, which translates directly into better low-light performance, more dynamic range, and sharper, cleaner footage with less noise.

GoPro paired a 1-inch 50MP Quad Bayer chip with the GP3 processor. The pipeline uses native 1.6µm pixels and 3.2µm fused pixels in Quad Bayer mode. In practical terms, what this means is the sensor is capable of two distinct shooting modes depending on your resolution needs: full 50MP mode at maximum resolution (used when shooting in 8K), and a binned 12MP Quad Bayer mode at 4K, where neighboring pixels are combined to create larger effective pixels with significantly better low-light performance and reduced noise. This is the same technology approach used in modern flagship smartphones, and it works brilliantly for the same reason here – you get resolution where you need it, and light sensitivity when conditions get difficult.

There’s no word on precisely which sensor GoPro is using here, suffice to say that given its high frame rate capabilities, it is most certainly something very new, possibly from Sony. Whatever the source, the result is undeniably impressive – the improved low-light video performance is primarily thanks to its large 1-inch sensor, its f/2.8 aperture, and GoPro’s new GP3 chip.

The GP3 Processor: GoPro’s Most Powerful Brain Yet

The new sensor would be wasted without the processing power to keep up with it, and this is exactly where GoPro’s brand-new GP3 System-on-a-Chip comes in. The GP3 uses a 5nm process and is responsible for many of the new capabilities of the new camera. Although GoPro hasn’t gone out of its way to promote it, the GP3 does in fact feature a neural engine, which is powering the camera’s new intelligent picture modes.

That neural engine is no small thing. It enables the camera’s 13 adaptive capture modes, powers real-time subject tracking without any external processing, drives the low-light noise reduction algorithms, and handles the enormous data throughput required for 8K 60fps video with 10-bit color encoding – all simultaneously, in a waterproof body that fits in your palm. A new System-on-a-Chip delivers 2x the pixel processing power to enable best-in-class resolutions and frame rates, incredible low-light performance and category-leading battery runtimes and thermal performance.

One of the more interesting GP3-powered features worth singling out is the camera’s dive mode. In the dive mode, the neural engine can detect the change of color wavelengths as you go deeper and automatically compensates. For underwater shooters, that kind of real-time color science applied on-camera – rather than in time-consuming post-production – is a serious quality-of-life improvement.

GoPro Mission 1 vs Mission 1 Pro: What Actually Differs?

This is the question every potential buyer wants answered clearly, so let’s lay it out without burying the lead. The two cameras share the same 1-inch 50MP sensor, the same GP3 processor, the same lens, the same body design, the same waterproofing specs, and nearly identical feature sets. The price difference is $100 ($599.99 vs $699.99 at retail, or $499.99 vs $599.99 for GoPro subscribers).

The difference between the two cameras lives almost entirely in one place: maximum video frame rates.

The Mission 1 shoots up to 8K at 30 fps, while the Mission 1 Pro goes up to 8K at 60 fps. The difference is also significant in 4K: the Mission 1 reaches 120 fps, while the Mission 1 Pro can shoot up to 240 fps.

Extended out across the full resolution range, the picture looks like this:

Resolution	Mission 1	Mission 1 Pro
8K (16:9)	30fps	60fps
4K Open Gate (4:3)	120fps	240fps
1080p	240fps	480fps
1080p Burst Slow-Mo	Not available	Up to 960fps (10-sec bursts)

That 960fps burst slow-motion on the GoPro Mission 1 Pro deserves a special mention. The Mission 1 Pro’s secret trick is its “burst slow-mo” that records at an incredible 960fps. This mode takes 10 seconds of recording and turns it into more than five minutes of slowed-down footage. This can make for some spectacular Matrix-style shots.

For photographers, the two cameras are essentially identical – both offer 50MP capture in high-definition mode and 12MP in standard mode.

It is clearly in video that the Mission 1 Pro stands out. The GoPro Mission 1 already allows you to film in 8K in 16:9 format at up to 30 frames per second. It also offers 4K at up to 120 frames per second. For most creators, that’s already more than enough. You can film YouTube videos, travel vlogs, Instagram and TikTok content, or even more professional shots without feeling limited.

The honest bottom line: if you don’t specifically need 8K60fps, the base Mission 1 is a remarkable camera that represents excellent value at $499.99 for subscribers. If you shoot fast action, want maximum editing flexibility, or just want GoPro’s absolute best frame rate capabilities, the Mission 1 Pro’s $100 upgrade is well justified.

8K Video, 10-Bit Color, and the Cinematic Pipeline

Both cameras record video in H.265 at a maximum bitrate of 240Mbps – and for those who want to push even further, GoPro Labs unlocks an experimental 300Mbps mode. To put that in context, that bitrate is significantly higher than most professional broadcast cameras operate at, and it results in footage with noticeably more detail, cleaner gradients, and far more headroom for color grading compared to lower-bitrate competitors.

The color pipeline available in both models is genuinely pro-grade. Both support 10-bit color depth across their video modes, which is the difference between 1 billion possible colors and the 16 million available in 8-bit footage. That might sound abstract until you try to pull detail out of a sunset in post-production – 10-bit footage gives you room to work with, while 8-bit footage breaks down into visible banding and noise. Both also support Hybrid Log Gamma (HLG), the industry-standard HDR format used across broadcast and streaming. HLG enables enhanced color depth, smoother gradations and more realism.

For creators working in professional post-production pipelines, both cameras record in GP-Log 2, GoPro’s latest flat color profile designed to preserve maximum dynamic range information for grading. GP-Log 2 color range lets you color grade for more real-life tones. GoPro’s color grading seems more true-to-life and less cartoonish than D-LOG M LUT on a camera like the DJI Osmo 360.

The rated dynamic range across both models is 14 stops – a number that competes with dedicated cinema cameras, not just consumer action cameras. In real-world shooting, 14 stops means you can have bright sky and deep shadow detail in the same frame without sacrificing either to overexposure or crushing blacks, which is exactly what you need for outdoor adventure footage.

The Wide Lens: 159-Degree FOV and 20-Meter Waterproofing

Both the Mission 1 and Mission 1 Pro ship with a fixed ultra-wide lens covering a 159-degree field of view – slightly narrower than some previous GoPros’ 177-degree fisheye extremes, but still delivering that immersive, all-encompassing wide-angle look the brand has always been known for. The F2.8 aperture is slightly narrower than some competitors’ offerings, but the 1-inch sensor compensates for that limitation in low light far more effectively than any previous GoPro could.

Because both models are shooting at 8K resolution, the Quad Bayer sensor’s full pixel count is in play at maximum resolution, which enables capture in 8K and reframing in post without losing resolution. Crop up to 2x for true 4K, or push to 4x digital zoom while keeping footage sharp and detailed. That’s an enormously useful feature for action shooters who can’t always control their subject’s position – shoot wide in 8K, then punch in on exactly the framing you want in the edit without sacrificing 4K quality.

On waterproofing: the GoPro Mission 1 Pro is waterproof to 66 feet without a housing and the hydrophobic lens cover does a great job shedding water. With the optional 60-meter dive housing (available as an accessory), you can take these cameras to depths that would challenge many dedicated underwater cameras. The power and record buttons have been raised and redesigned specifically to resist accidental activation from water pressure – a thoughtful engineering detail that experienced underwater shooters will genuinely appreciate.

Display and Controls: The Biggest Screens GoPro Has Ever Used

The Mission 1 has larger displays than any previous GoPro, with a 1.4-inch front LCD and 2.59-inch OLED rear display that’s 0.3 inches larger than the Hero 13’s screen and almost as big as many compact camera displays. Both are bright and sharp enough for sunny days.

The 2.59-inch OLED rear touchscreen isn’t just a spec bump for the sake of it – it genuinely changes how usable these cameras are as creative tools. Being able to actually see what you’re filming, properly evaluate framing and focus, and navigate the menu system without squinting at a postage-stamp screen brings the Mission 1 series a step closer to the vlogging and cinema camera experience GoPro is clearly aiming for.

GoPro moved all the main camera functions – like bit depth, shutter and HyperSmooth – to one place under the “Image” menu. This allows faster access to frequently-used settings. For anyone who’s used a GoPro before, the deeper menu system in the Mission 1 series will feel familiar but more logically organized – a sign that GoPro is thinking about these cameras being used in more deliberate, considered shooting scenarios rather than just a quick flip-and-record action cam workflow.

The physical buttons have also been redesigned – larger, more prominent, and much easier to locate by feel alone when your hands are gloved, cold, or wet. Those buttons protrude much more than previous models to make it easier to recognize them with gloves on.

Audio: 32-Bit Float, Three Mics, and Wireless Support

The Mission 1 series represents the biggest leap in GoPro audio quality in the camera’s history, and it’s an area that’s received far too little attention in the coverage so far. Both cameras feature three built-in microphones, up from the Hero series’ setup, with a full suite of selectable audio modes to optimize for different environments. There are three separate built-in mics with features that reduce the buffeting effect of wind. The sound is better than on a Hero 13 Black.

What genuinely sets the Mission 1 series apart on audio, though, is 32-bit float recording. This is a professional audio feature that essentially means the camera records audio data at high enough resolution that you can recover from clipping in post – an overloaded, distorted audio signal that would be ruined in traditional recording becomes salvageable when it’s recorded in 32-bit float. Combined with 24-bit PCM recording as an alternative, and the ability to record all microphone sources separately as individual tracks, this is the most capable GoPro audio system ever shipped.

Then there’s wireless microphone support. The real trick is its support for USB-C microphone setups, like a DJI Mic 3 or a Mic Mini. GoPro also has its own Wireless Mic System coming soon that doesn’t require any adapter to plug in. For vloggers, event shooters, and interview-style content creators, the ability to connect a proper wireless lav or shotgun mic to an action camera body opens up a category of use cases that previous GoPros simply couldn’t handle.

Battery Life and Thermal Performance: Best in GoPro History

The new Enduro 2 battery (2,150mAh capacity) and the efficiency of the GP3 processor combine to produce battery life figures that are dramatically better than any previous GoPro. GoPro claims that with the GP3 chip in the Mission 1 Pro, it can record continuously for 5 hours in 1080/30p, and 3.1 hours in 4K/30p.

Even at a demanding 8K 60fps, I could shoot for well over an hour before the battery expired. The Enduro 2 cell also charges faster thanks to PD2.0 tech, going from 0 to full in an hour, compared to 100 minutes for the Hero 13. One hour to full charge on a battery rated for three-plus hours of 4K shooting is genuinely exceptional performance for a camera this small. The new cells are also backwards compatible with Hero 13 Enduro batteries – though note that the Hero 13 cells won’t deliver the extended run-times or fast charging support of the proper Enduro 2 packs.

Thermal performance – GoPro’s historical Achilles heel at high resolutions – has also improved substantially. At 8K 60fps and 4K 240fps, GoPro says the camera will run about 35 minutes when stationary without airflow, but testing showed 46 minutes, and a 70-minute bike ride at 8K 60fps completed with no shutdown thanks to the airflow. In other words: mount these cameras on any moving vehicle, helmet, or body and thermal throttling becomes essentially a non-issue.

13 Adaptive Capture Modes and AI Subject Tracking

One of the most interesting and genuinely useful aspects of the GoPro Mission 1 series is its 13 purpose-built adaptive capture modes, each tuned by the GP3’s neural engine for specific environments or use cases. 13 purpose-built adaptive capture modes are tuned for specific environments or use-cases, like Dive, Vlog and Low Light. They use advanced algorithms and neural libraries directly on camera to help with noise reduction, subject tracking and facial recognition.

This is meaningfully different from older action cameras’ simple presets. Rather than just changing resolution and stabilization settings, these modes actively adjust the camera’s image processing pipeline in real time based on what the neural engine recognizes in the scene. The underwater dive mode’s automatic white balance compensation as you descend is the standout example, but the Low Light mode’s dynamic noise management and the Vlog mode’s portrait-focused face detection are equally impressive in practice.

The camera’s AI subject tracking – powered by that same GP3 neural engine – works on-camera without needing a phone connection or external hardware. In-camera Subject Tracking uses advanced face and body detection to keep you perfectly centered, automatically adjusting framing in real time as you move. Whether you’re vlogging, capturing event videography, or getting a follow-cam, just hit record and let your camera handle the rest.

Additionally, PreCapture captures up to 30 seconds of footage before you start recording, so if you press the shutter too late, you still get the shot. The Scheduled Capture and Duration Capture features round out a genuinely well-thought-out creative toolkit that extends the Mission 1 cameras beyond pure action shooting into documentary, travel, and run-and-gun filmmaking scenarios.

HyperSmooth Stabilization: Still Best in Class

GoPro’s HyperSmooth stabilization has always been one of the brand’s strongest competitive advantages, and on the Mission 1 series, it’s better than ever. Electronic image stabilization combines with the GP3’s processing power to deliver the smoothest, most stable footage GoPro has ever produced – critical for a camera line being marketed as a serious filmmaking tool. Thanks to our Quad Bayer sensor, 2x video zoom is captured using the full native resolution, delivering sharper detail, cleaner edges, and a true optical-like zoom experience without digital artifacts.

The combination of HyperSmooth and the camera’s 8K oversampling capability means that even aggressively stabilized 4K footage maintains genuine sharpness, because the stabilization crop is happening within the much larger 8K sensor readout rather than eating into native 4K resolution.

Size, Weight, and Build: Action Camera DNA Intact

One legitimate concern about a camera built around a larger sensor is whether it sacrifices the compactness and ruggedness that made GoPro famous. The Mission 1 series largely answers that concern well. The Mission 1 Pro is bigger, though not much heavier than a previous Hero Black 13 at 207g (0.45 pounds) compared to 157g (0.34 pounds). Does that make much of a difference when carrying it around? Not really.

The extra size is mainly driven by the larger lens required to cover the 1-inch sensor, and the body is roughly 5mm wider than a Hero 13 Black. The Mission 1 Pro uses the same clever mount as GoPro’s Hero 13. You can either attach the camera to accessories using GoPro’s magnetic latch for quick changes, or just pull down the two GoPro “fingers.” This system is better than DJI’s because it means you can still mount it to a selfie pole, helmet or other peripheral without the magnetic latch.

The cameras are available in the same iconic GoPro form factor that fits in a chest mount, a helmet mount, or a stabilizer grip without any adaptation required. GoPro’s existing accessory mount ecosystem is compatible, meaning anyone already invested in Hero series mounts and accessories won’t be starting from scratch.

Mission 1 Pro vs DJI Osmo Action 6: How They Compare

No review of a flagship GoPro camera would be complete without addressing DJI’s competition. The primary rival at this tier is the DJI Osmo Action 6, which comes in at roughly $300 less than the Mission 1 Pro at retail. The price difference is real, but so is the capability gap.

DJI counters with a variable-aperture lens and lower pricing. However, GoPro wins on sensor size, frame rates, and audio. The Mission 1 Pro’s 1-inch sensor is meaningfully larger than what the Osmo Action 6 uses, its 8K60fps ceiling is significantly higher than DJI’s current offering, and the 32-bit float audio and USB-C wireless mic support put the GoPro into a different conversation entirely for serious content creators.

HDR content from the Mission 1 Pro seemed superior compared to the past DJI Osmo Action 5 Pro, and it has far better low-light capture than the Hero 13 Black. For hybrid creators, documentary shooters, and anyone making content that demands genuine professional image quality from a mountable camera body, the Mission 1 Pro’s premium is justified. For pure action sports and casual POV shooting where the DJI’s smaller size and lower price are bigger priorities, the Osmo Action 6 remains a strong option – but it’s competing in a different tier.

Accessories and Ecosystem at Launch

GoPro has assembled a solid launch ecosystem around both Mission 1 cameras, including a Point-and-Shoot Grip that transforms the camera into a compact walk-around shooter with added mounting options, a Volta 2 battery grip, a Wireless Mic System, an ND filter 4-pack, a dedicated 60-meter dive housing, a new Media Mod, and a Light Mod 2 for on-camera LED lighting. The Light Mod 2 offers 200 lumen brightness, 33% increased battery capacity, and up to 100% longer runtimes, with an optimized diffuser design and versatile mounting for cold-shoe integration.

Coming in Q3 2026, the Mission 1 Pro ILS variant will add Micro Four Thirds interchangeable lens support to the lineup, enabling the camera to be paired with a virtually limitless range of third-party lenses – a feature set that truly does start to blur the line between action camera and professional cinema tool.

Real-World Performance: What Early Reviewers Are Saying

Early hands-on coverage from photographers and filmmakers who’ve spent real time with both cameras paints a consistent picture. Even if you’re just using the automatic, out-of-box settings, the video you can get from a GoPro Mission 1 Pro is immediately impressive once you get to play it back on your computer. I’d even go so far as to say the image quality matches the $700 price point.

After testing the GoPro Mission 1 Pro, I believe that the higher quality will easily be worth the extra cash for certain action shooters. The consensus from the first wave of reviews is that these cameras are a genuine step forward for GoPro – not a marketing rebrand or a spec bump, but a fundamental rethinking of what the company’s cameras can be. The caveat most reviewers are honest about is that for pure helmet-cam action sports shooting where size and weight are everything, the Hero 13 Black remains a sharper tool for a specific job. For anything where image quality, dynamic range, low-light capability, or audio quality are the priority, the Mission 1 series is in another league.

GoPro Mission 1 & Mission 1 Pro: Full Specifications

Feature	Mission 1	Mission 1 Pro
Price (Retail / Subscriber)	$599.99 / $499.99	$699.99 / $599.99
Sensor	1-inch 50MP Quad Bayer	1-inch 50MP Quad Bayer
Lens FOV	159° ultra-wide	159° ultra-wide
Aperture	F2.8	F2.8
Dynamic Range	14 stops	14 stops
Max 8K Video	8K30fps	8K60fps
Max 4K (Open Gate)	4K120fps	4K240fps
Max 1080p	1080p240fps	1080p480fps / 960fps burst
Max Bitrate	240Mbps (300Mbps via Labs)	240Mbps (300Mbps via Labs)
Color Profiles	10-bit log, HLG, GP-Log 2	10-bit log, HLG, GP-Log 2
Processor	GP3 (5nm, neural engine)	GP3 (5nm, neural engine)
Waterproofing	20m / 66ft (66m with housing)	20m / 66ft (66m with housing)
Display (Rear / Front)	2.59″ OLED / 1.4″ LCD	2.59″ OLED / 1.4″ LCD
Audio	32-bit float, 3 mics, USB-C	32-bit float, 3 mics, USB-C
Battery	Enduro 2 (2,150mAh)	Enduro 2 (2,150mAh)
Battery Life (4K30)	~3.1 hours	~3.1 hours
Charging	PD2.0 (0–100% in ~60 min)	PD2.0 (0–100% in ~60 min)
Adaptive Modes	13 purpose-built	13 purpose-built
Subject Tracking	AI on-camera	AI on-camera
Photo Resolution	50MP / 12MP	50MP / 12MP
Weight	~207g	~207g

Pros and Cons

What GoPro gets spectacularly right:

• The biggest, best sensor in GoPro history – 1-inch, 50MP, Quad Bayer
• True 10-bit log, HLG HDR, and 240Mbps bitrate for a genuinely professional video pipeline
• 14 stops of dynamic range, competitive with dedicated cinema cameras
• 32-bit float audio with multi-track recording and wireless mic support
• Best battery life and thermal performance in GoPro history
• 20-meter waterproofing without a housing, 60m with the dive case
• Smart GP3 neural engine powers 13 adaptive shooting modes plus real-time subject tracking
• Mission 1 Pro’s 8K60fps and 4K240fps are category-leading frame rates at this price and size
• PreCapture, Scheduled Capture, and built-in timecode sync for professional workflows

Where things could be sharper:

• F2.8 aperture is narrower than some competitors in this tier
• The Mission 1 Pro’s peak specs (8K60fps, 4K240fps) do require thermal management when shooting stationary in very warm environments
• Mission 1 Pro ILS with interchangeable lens mount doesn’t arrive until September 2026
• At $699.99 retail, the Mission 1 Pro sits $300 above DJI’s main rival – a real premium ask
• 1080p burst slow-mo footage is soft when viewed on larger screens, limiting its shareable use cases

Who Should Buy Which Model?

Buy the GoPro Mission 1 if you’re a travel creator, vlogger, YouTuber, or outdoor filmmaker who wants the best image quality available in a rugged action camera body and doesn’t need extreme slow-motion beyond 4K120fps. The $499.99 subscriber price makes this the most accessible professional-grade compact cinema camera GoPro has ever offered.

Buy the GoPro Mission 1 Pro if you shoot fast-moving action, want the maximum creative flexibility in slow-motion editing, need 8K footage at 60fps for professional deliverables, or simply want GoPro’s absolute best. The $100 upgrade from the base Mission 1 is, for the right creator, the most straightforward camera purchase decision in years.

Wait for the Mission 1 Pro ILS (September 2026) if lens flexibility is your primary concern – it shares the same image specs as the Mission 1 Pro and the same price, but opens the door to Micro Four Thirds optics and a genuinely interchangeable lens system.

Final Verdict

GoPro needed the Mission 1 series to be more than a good camera. It needed to be a statement – proof that the brand that created the action camera category is still capable of defining what’s possible within it. By that measure, both the GoPro Mission 1 and GoPro Mission 1 Pro are a resounding success.

The combination of a 1-inch 50MP sensor, the GP3 neural processing engine, 14 stops of dynamic range, genuine 10-bit log video, 32-bit float audio, 13 adaptive AI capture modes, and 20-meter waterproofing in a body that GoPro users will immediately recognize and know how to use – it’s an impressive list, and it delivers in practice. After two decades of GoPro flagships, the Mission 1 Pro is the most ambitious product the company has ever shipped.

That’s not hype. It’s an earned verdict. For documentary filmmakers, adventure shooters, hybrid creators, travel videographers, and anyone who wants the absolute best portable camera for both their action mounts and their run-and-gun filmmaking – the GoPro Mission 1 series is the camera you’ve been waiting for this company to build.

You might also want to check out:

• Insta360 Luna Ultra Review: 8K Dual-Leica Vlogging Camera
• Insta360 Ace Pro 2 Review 2025: Best 8K Action Camera
• Best SD Card for Action Cameras 2025: V90 vs V60 Guide & Top Picks